Volume 14 (2019) First-Generation Shakespeare

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Surprised by Science: The 'Original Errors' of Paradise Lost
Michael Slater

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Introduction: First-Generation Shakespeare
Rebecca Olson and Stephanie Pietros

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"The Miseducation of Irie Jones": Representation and Identification in theShakespeare Classroom
Kyle Grady

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Empowering First-Generation Students: Bardolatry and the Shakespeare Survey
Cassie M. Miura

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Toward Speech Therapy: Affect, Pedagogy, and Shakespeare in Prison
Perry Guevara

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L(E)arned Empowerment: Memorizing Shakespeare for First-Generation Students
William Dean Clement

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“If we shadows have offended”: Shakespeare’s “Problems” and First-Generation Students
Stephanie Pietros

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Using Shakespeare Biography to Teach First-Generation College Students
Mardy Philippian

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Mutual Meaning Making: Dramatic Staging and Student-Led Discussion in the Shakespeare Classroom
Erin Katherine Kelly

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The Pedagogical Possibilities of Editing a Digital Text in the Shakespeare Classroom
Whitney B. Taylor

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Fostering Academic Self-Efficacy in First-Generation Students Through Shakespeare Reading Groups
Catherine E. Thomas

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Peripatetic Pedagogy: Teaching Shakespeare at a First-Generation University
Kerry Cooke

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Response: Shakespeare, My Sparring Partner
Ayanna Thompson

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Of Sheep, Oranges, and Yeast: A Multispecies Impression / Julian Yates
Jim Beaver

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Futile Pleasures: Early Modern Literature and the Limits of Utility / Corey McEleney
Samantha Dressel

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The Elizabethan Country House Entertainment: Print, Performance, and Gender / Elizabeth Zeman Kolkovich
Emily M. Fine

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Shakespearean Melancholy: Philosophy, Form and the Transformation of Comedy / J.F. Bernard
Lieke Stelling

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Blood Matters: Studies in European Literature and Thought, 1400-1700 / Bonnie Lander Johnson and Eleanor Decamp
Glenn Thompson

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Shakespeare and the “Live” Theatre Broadcast Experience / Pascale Aebischer, Susanne Greenhalgh, and Laurie E. Osborne
Eric Brinkman

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Addiction and Devotion in Early Modern England / Rebecca Lemon
Molly Hand

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Producing Early Modern London: A Comedy of Urban Space, 1598-1616 / Kelly Stage
Cassidy Cash

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Indecorous Thinking: Figures of Speech in Early Modern Poetics / Colleen Ruth Rosenfeld
James Kuzner

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Shakespeare and the Cultivation of Difference: Race and Conduct in the Early Modern World / Patricia Akhimie
Deborah Uman

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Outsiders and Others: The Utah Shakespeare Festival Summer Season 2018
Jessica Winston

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“But who here is not a villain?”: Richard III at the Vakhtangov Theatre in Moscow
Natalia Khomenko

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A Pleasant Seat at the Royal Shakespeare Company’s Macbeth
Marcia Eppich-Harris

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“I wish'd myself a man, / Or that we women had men's privilege”: Troilus and Cressida at the Royal Shakespeare Company
Marcia Eppich-Harris

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As I Liked It: The American Shakespeare Center’s As You Like It
Victor Greto

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Coriolanus at The Stratford Festival
Susan Rojas

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The Comedy of Errors at The Stratford Festival
Susan Rojas

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Margaret Cavendish’s The Unnatural Tragedy and The White Bear Theatre
Lara Dodds

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Shakespeare BASH’D’s Measure for Measure
Noam Lior

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The Idaho Shakespeare Festival’s Macbeth
Mark R. Dodd

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The Comédie-Française’s Roméo et Juliette
Sean Lawrence

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The Making of a Tyrant: Seattle Shakespeare Company and upstart crow collective’s Richard III
Ivy Jong, Emily Boynton, Caroline Craighead, Mina Gibbs, Mary Lawrence, Sydney Haas, and Emily Brown

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RSC’s The Duchess of Malfi and the Male Grotesque
Daniel G. Lauby

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Questioning the Ways of Milton: Stratford Festival’s Paradise Lost
Manuel Antonio Jacquez

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The Shakespeare Theatre Company’s Oresteia
Kendra Preston Leonard